Anglo-Saxon term referring to the motorization of reinforcement for the stage, especially for percussionists. Its objective is to offer punch in serious and clean highs, as well as a very pronounced directionality. Usually two wedges are used in parallel, although in some cases the monitors are placed at the height of the head of the percussionist, they can also be formed by a subwoofer box on which another medium-high is mounted, several techniques are possible. Stage reinforcements
There are different types: History
This scenario motorization emerged in the 60s when Rock groups increased their power on stage and the musicians needed to listen to each other to achieve a better performance. In this way, it began to be necessary in performances in which the sound pressure levels within the scenario are too high, which is why a reinforcement system is necessary. Depending on the area of the stage and its purpose the motorization that is sent, will be formed by different sound mixtures
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